Our program archive

How much adaptation to society is necessary, and at what point do I lose myself? The exploration of the history of antisemitism and the lives of German Jewish women, begun by Eleganz aus Reflex, is continued with the work I Am Not a Case. At the center stands the life of the Frankfurt-born Bertha Pappenheim. In a choreographed spoken theater…

How much adaptation to society is necessary, and at what point do I lose myself? The exploration of the history of antisemitism and the lives of German Jewish women, begun by Eleganz aus Reflex, is continued with the work I Am Not a Case. At the center stands the life of the Frankfurt-born Bertha Pappenheim. In a choreographed spoken theater…

How much adaptation to society is necessary, and at what point do I lose myself? The exploration of the history of antisemitism and the lives of German Jewish women, begun by Eleganz aus Reflex, is continued with the work I Am Not a Case. At the center stands the life of the Frankfurt-born Bertha Pappenheim. In a choreographed spoken theater…

80 years after the end of the war – there remain things in the world that are unforgivable. Things that a country like Germany should never forgive itself for, never claim the mercy of forgiveness.Because only then can there be no forgetting. In the 1980s, it was still painful to travel as a German to France, Poland, or the Netherlands.…

80 years after the end of the war – there remain things in the world that are unforgivable. Things that a country like Germany should never forgive itself for, never claim the mercy of forgiveness.Because only then can there be no forgetting. In the 1980s, it was still painful to travel as a German to France, Poland, or the Netherlands.…

Performance as part of MADE.DATE 2025 It is August 2, 2018, around noon. At the 1st Frankfurt police precinct, a person sits down at a computer in the duty room, opens one of the police information systems, and types a name into the search field. Ninety minutes later, a Frankfurt lawyer receives a threatening letter signed “NSU 2.0.” It will…

150 Years of Thomas Mann The German Forest in Autumn The theater leaves its sheltered and healthy spaces and moves into the open—into the forest, the sick one. In Frankfurt’s city forest, there is hardly a tree that is not diseased. The city forest becomes the setting for a production on the themes of 80 years since the end of…

150 Years of Thomas Mann The German Forest in Autumn The theater leaves its sheltered and healthy spaces and moves into the open—into the forest, the sick one. In Frankfurt’s city forest, there is hardly a tree that is not diseased. The city forest becomes the setting for a production on the themes of 80 years since the end of…

150 Years of Thomas Mann The German Forest in Autumn The theater leaves its sheltered and healthy spaces and moves into the open—into the forest, the sick one. In Frankfurt’s city forest, there is hardly a tree that is not diseased. The city forest becomes the setting for a production on the themes of 80 years since the end of…

150 Years of Thomas Mann The German Forest in Autumn The theater leaves its sheltered and healthy spaces and moves into the open—into the forest, the sick one. In Frankfurt’s city forest, there is hardly a tree that is not diseased. The city forest becomes the setting for a production on the themes of 80 years since the end of…

150 Years of Thomas Mann The German Forest in Autumn The theater leaves its sheltered and healthy spaces and moves into the open—into the forest, the sick one. In Frankfurt’s city forest, there is hardly a tree that is not diseased. The city forest becomes the setting for a production on the themes of 80 years since the end of…