Our program archive

2026
time:
19:30
Theater Willy Praml
Direction, Text Adaptation, Stage Michael Weber
Three performers inside an old rusty bus: a woman in a red bathrobe stands, a barefoot man in a black suit sits, and a man in a striped undershirt stands beside him.
80 years after the end of the war – there remain things in the world that are unforgivable. Things that a country like Germany should never forgive itself for, never claim the mercy of forgiveness.Because only then can there be no forgetting. In the 1980s, it was still painful to travel as a German to France, Poland, or the Netherlands.…
Infos
2026
time:
19:30
Theater Willy Praml
Direction, Text Adaptation, Stage Michael Weber
Three performers inside an old rusty bus: a woman in a red bathrobe stands, a barefoot man in a black suit sits, and a man in a striped undershirt stands beside him.
80 years after the end of the war – there remain things in the world that are unforgivable. Things that a country like Germany should never forgive itself for, never claim the mercy of forgiveness.Because only then can there be no forgetting. In the 1980s, it was still painful to travel as a German to France, Poland, or the Netherlands.…
Infos
2026
time:
19:30
Theater Willy Praml
Direction, Text Adaptation, Stage Michael Weber
Three performers inside an old rusty bus: a woman in a red bathrobe stands, a barefoot man in a black suit sits, and a man in a striped undershirt stands beside him.
80 years after the end of the war – there remain things in the world that are unforgivable. Things that a country like Germany should never forgive itself for, never claim the mercy of forgiveness.Because only then can there be no forgetting. In the 1980s, it was still painful to travel as a German to France, Poland, or the Netherlands.…
Infos
2026
time:
18:00
Theater Willy Praml
Direction, Text Adaptation, Stage Michael Weber
Three performers inside an old rusty bus: a woman in a red bathrobe stands, a barefoot man in a black suit sits, and a man in a striped undershirt stands beside him.
80 years after the end of the war – there remain things in the world that are unforgivable. Things that a country like Germany should never forgive itself for, never claim the mercy of forgiveness.Because only then can there be no forgetting. In the 1980s, it was still painful to travel as a German to France, Poland, or the Netherlands.…
Infos
2026
time:
19:30
Theater Willy Praml
Direction, Text Adaptation, Stage Michael Weber
Three performers inside an old rusty bus: a woman in a red bathrobe stands, a barefoot man in a black suit sits, and a man in a striped undershirt stands beside him.
80 years after the end of the war – there remain things in the world that are unforgivable. Things that a country like Germany should never forgive itself for, never claim the mercy of forgiveness.Because only then can there be no forgetting. In the 1980s, it was still painful to travel as a German to France, Poland, or the Netherlands.…
Infos
2026
time:
18:00
Theater Willy Praml
Direction, Text Adaptation, Stage Michael Weber
Three performers inside an old rusty bus: a woman in a red bathrobe stands, a barefoot man in a black suit sits, and a man in a striped undershirt stands beside him.
80 years after the end of the war – there remain things in the world that are unforgivable. Things that a country like Germany should never forgive itself for, never claim the mercy of forgiveness.Because only then can there be no forgetting. In the 1980s, it was still painful to travel as a German to France, Poland, or the Netherlands.…
Infos
2026
time:
19:30
Theater Willy Praml
Direction, Text Adaptation, Stage Michael Weber
Three performers inside an old rusty bus: a woman in a red bathrobe stands, a barefoot man in a black suit sits, and a man in a striped undershirt stands beside him.
80 years after the end of the war – there remain things in the world that are unforgivable. Things that a country like Germany should never forgive itself for, never claim the mercy of forgiveness.Because only then can there be no forgetting. In the 1980s, it was still painful to travel as a German to France, Poland, or the Netherlands.…
Infos
2025
time:
20:00
Theater Willy Praml
Cast Reinhold Behling, Irene Buresch, Gisela Eiffert, Camilla Fiumara, Jakob Gail, Muawia Harb, Birgit Heuser, Johannes Christopher Maier, Maria Niesen, Mila Söntgen, Anna Staab, Michael Weber
A man in a light suit looks seriously through a window, holding several baby dolls in his arms. On the glass, the words ‘A SON’ are written in white.
JESUS D’AMOUR, GEB.OThe Christmas Story according to Matthew, Mark, Luke, and John The Theater Willy Praml has created its very own nativity play. Based on the four Gospels, director Willy Praml retells the well-known story in a new way. The birth of two boys, Jesus and John, leads to political chaos, and the state threatens to collapse. King Herod learns…
Infos
2025
time:
20:00
Theater Willy Praml
Cast Reinhold Behling, Irene Buresch, Gisela Eiffert, Camilla Fiumara, Jakob Gail, Muawia Harb, Birgit Heuser, Johannes Christopher Maier, Maria Niesen, Mila Söntgen, Anna Staab, Michael Weber
A man in a light suit looks seriously through a window, holding several baby dolls in his arms. On the glass, the words ‘A SON’ are written in white.
JESUS D’AMOUR, GEB.OThe Christmas Story according to Matthew, Mark, Luke, and John The Theater Willy Praml has created its very own nativity play. Based on the four Gospels, director Willy Praml retells the well-known story in a new way. The birth of two boys, Jesus and John, leads to political chaos, and the state threatens to collapse. King Herod learns…
Infos
2025
time:
20:00
Theater Willy Praml
Cast Reinhold Behling, Irene Buresch, Gisela Eiffert, Camilla Fiumara, Jakob Gail, Muawia Harb, Birgit Heuser, Johannes Christopher Maier, Maria Niesen, Mila Söntgen, Anna Staab, Michael Weber
A man in a light suit looks seriously through a window, holding several baby dolls in his arms. On the glass, the words ‘A SON’ are written in white.
JESUS D’AMOUR, GEB.OThe Christmas Story according to Matthew, Mark, Luke, and John The Theater Willy Praml has created its very own nativity play. Based on the four Gospels, director Willy Praml retells the well-known story in a new way. The birth of two boys, Jesus and John, leads to political chaos, and the state threatens to collapse. King Herod learns…
Infos
2025
time:
20:00
Theater Willy Praml
Cast Reinhold Behling, Irene Buresch, Gisela Eiffert, Camilla Fiumara, Jakob Gail, Muawia Harb, Birgit Heuser, Johannes Christopher Maier, Maria Niesen, Mila Söntgen, Anna Staab, Michael Weber
A man in a light suit looks seriously through a window, holding several baby dolls in his arms. On the glass, the words ‘A SON’ are written in white.
JESUS D’AMOUR, GEB.OThe Christmas Story according to Matthew, Mark, Luke, and John The Theater Willy Praml has created its very own nativity play. Based on the four Gospels, director Willy Praml retells the well-known story in a new way. The birth of two boys, Jesus and John, leads to political chaos, and the state threatens to collapse. King Herod learns…
Infos
2025
time:
20:00
Theater Willy Praml
Cast Reinhold Behling, Irene Buresch, Gisela Eiffert, Camilla Fiumara, Jakob Gail, Muawia Harb, Birgit Heuser, Johannes Christopher Maier, Maria Niesen, Mila Söntgen, Anna Staab, Michael Weber
A man in a light suit looks seriously through a window, holding several baby dolls in his arms. On the glass, the words ‘A SON’ are written in white.
JESUS D’AMOUR, GEB.OThe Christmas Story according to Matthew, Mark, Luke, and John The Theater Willy Praml has created its very own nativity play. Based on the four Gospels, director Willy Praml retells the well-known story in a new way. The birth of two boys, Jesus and John, leads to political chaos, and the state threatens to collapse. King Herod learns…
Infos
2025
time:
20:00
ELEGANZ AUS REFLEX
With: Mariann Yar, Judith Altmeyer
Surreal collage: two faces—one upside down, one half-hidden behind a column—float among clouds, stairs, and architectural fragments.
How much adaptation to society is necessary, and at what point do I lose myself? The exploration of the history of antisemitism and the lives of German Jewish women, begun by Eleganz aus Reflex, is continued with the work I Am Not a Case. At the center stands the life of the Frankfurt-born Bertha Pappenheim. In a choreographed spoken theater…
Infos
2025
time:
20:00
ELEGANZ AUS REFLEX
With: Mariann Yar, Judith Altmeyer
Surreal collage: two faces—one upside down, one half-hidden behind a column—float among clouds, stairs, and architectural fragments.
How much adaptation to society is necessary, and at what point do I lose myself? The exploration of the history of antisemitism and the lives of German Jewish women, begun by Eleganz aus Reflex, is continued with the work I Am Not a Case. At the center stands the life of the Frankfurt-born Bertha Pappenheim. In a choreographed spoken theater…
Infos
2025
time:
20:00
ELEGANZ AUS REFLEX
With: Mariann Yar, Judith Altmeyer
Surreal collage: two faces—one upside down, one half-hidden behind a column—float among clouds, stairs, and architectural fragments.
How much adaptation to society is necessary, and at what point do I lose myself? The exploration of the history of antisemitism and the lives of German Jewish women, begun by Eleganz aus Reflex, is continued with the work I Am Not a Case. At the center stands the life of the Frankfurt-born Bertha Pappenheim. In a choreographed spoken theater…
Infos
2025
time:
20:00
ELEGANZ AUS REFLEX
With: Mariann Yar, Judith Altmeyer
Surreal collage: two faces—one upside down, one half-hidden behind a column—float among clouds, stairs, and architectural fragments.
How much adaptation to society is necessary, and at what point do I lose myself? The exploration of the history of antisemitism and the lives of German Jewish women, begun by Eleganz aus Reflex, is continued with the work I Am Not a Case. At the center stands the life of the Frankfurt-born Bertha Pappenheim. In a choreographed spoken theater…
Infos
2025
time:
20:00
ELEGANZ AUS REFLEX
With: Mariann Yar, Judith Altmeyer
Surreal collage: two faces—one upside down, one half-hidden behind a column—float among clouds, stairs, and architectural fragments.
How much adaptation to society is necessary, and at what point do I lose myself? The exploration of the history of antisemitism and the lives of German Jewish women, begun by Eleganz aus Reflex, is continued with the work I Am Not a Case. At the center stands the life of the Frankfurt-born Bertha Pappenheim. In a choreographed spoken theater…
Infos
2025
time:
20:00
ELEGANZ AUS REFLEX
With: Mariann Yar, Judith Altmeyer
Surreal collage: two faces—one upside down, one half-hidden behind a column—float among clouds, stairs, and architectural fragments.
How much adaptation to society is necessary, and at what point do I lose myself? The exploration of the history of antisemitism and the lives of German Jewish women, begun by Eleganz aus Reflex, is continued with the work I Am Not a Case. At the center stands the life of the Frankfurt-born Bertha Pappenheim. In a choreographed spoken theater…
Infos
2025
time:
19:30
Theater Willy Praml
Direction, Text Adaptation, Stage Michael Weber
Three performers inside an old rusty bus: a woman in a red bathrobe stands, a barefoot man in a black suit sits, and a man in a striped undershirt stands beside him.
80 years after the end of the war – there remain things in the world that are unforgivable. Things that a country like Germany should never forgive itself for, never claim the mercy of forgiveness.Because only then can there be no forgetting. In the 1980s, it was still painful to travel as a German to France, Poland, or the Netherlands.…
Infos
2025
time:
19:30
Theater Willy Praml
Direction, Text Adaptation, Stage Michael Weber
Three performers inside an old rusty bus: a woman in a red bathrobe stands, a barefoot man in a black suit sits, and a man in a striped undershirt stands beside him.
80 years after the end of the war – there remain things in the world that are unforgivable. Things that a country like Germany should never forgive itself for, never claim the mercy of forgiveness.Because only then can there be no forgetting. In the 1980s, it was still painful to travel as a German to France, Poland, or the Netherlands.…
Infos