THE PAIN. Marguerite Duras 80 years after the end of the war – there remain things in the world that are unforgivable. Things that a country like Germany should never forgive itself for, never claim the mercy of forgiveness.Because only then can there be no forgetting. In the 1980s, it was still painful to travel as a German to France,…

Performance as part of MADE.DATE 2025 It is August 2, 2018, around noon. At the 1st Frankfurt police precinct, a person sits down at a computer in the duty room, opens one of the police information systems, and types a name into the search field. Ninety minutes later, a Frankfurt lawyer receives a threatening letter signed “NSU 2.0.” It will…

THE PAIN. Marguerite Duras 80 years after the end of the war – there remain things in the world that are unforgivable. Things that a country like Germany should never forgive itself for, never claim the mercy of forgiveness.Because only then can there be no forgetting. In the 1980s, it was still painful to travel as a German to France,…

THE PAIN. Marguerite Duras 80 years after the end of the war – there remain things in the world that are unforgivable. Things that a country like Germany should never forgive itself for, never claim the mercy of forgiveness.Because only then can there be no forgetting. In the 1980s, it was still painful to travel as a German to France,…

THE PAIN. Marguerite Duras 80 years after the end of the war – there remain things in the world that are unforgivable. Things that a country like Germany should never forgive itself for, never claim the mercy of forgiveness.Because only then can there be no forgetting. In the 1980s, it was still painful to travel as a German to France,…

THE PAIN. Marguerite Duras 80 years after the end of the war – there remain things in the world that are unforgivable. Things that a country like Germany should never forgive itself for, never claim the mercy of forgiveness.Because only then can there be no forgetting. In the 1980s, it was still painful to travel as a German to France,…

THE PAIN. Marguerite Duras 80 years after the end of the war – there remain things in the world that are unforgivable. Things that a country like Germany should never forgive itself for, never claim the mercy of forgiveness.Because only then can there be no forgetting. In the 1980s, it was still painful to travel as a German to France,…

THE PAIN. Marguerite Duras 80 years after the end of the war – there remain things in the world that are unforgivable. Things that a country like Germany should never forgive itself for, never claim the mercy of forgiveness.Because only then can there be no forgetting. In the 1980s, it was still painful to travel as a German to France,…

THE PAIN. Marguerite Duras 80 years after the end of the war – there remain things in the world that are unforgivable. Things that a country like Germany should never forgive itself for, never claim the mercy of forgiveness.Because only then can there be no forgetting. In the 1980s, it was still painful to travel as a German to France,…

THE PAIN. Marguerite Duras 80 years after the end of the war – there remain things in the world that are unforgivable. Things that a country like Germany should never forgive itself for, never claim the mercy of forgiveness.Because only then can there be no forgetting. In the 1980s, it was still painful to travel as a German to France,…

I Am Not a CaseThe Lives of Anna O., Bertha Pappenheim, and P. Berthold How much adaptation to society is necessary, and at what point do I lose myself? The exploration of the history of antisemitism and the lives of German Jewish women, begun by Eleganz aus Reflex, is continued with the work I Am Not a Case. At the…

I Am Not a CaseThe Lives of Anna O., Bertha Pappenheim, and P. Berthold How much adaptation to society is necessary, and at what point do I lose myself? The exploration of the history of antisemitism and the lives of German Jewish women, begun by Eleganz aus Reflex, is continued with the work I Am Not a Case. At the…

I Am Not a CaseThe Lives of Anna O., Bertha Pappenheim, and P. Berthold How much adaptation to society is necessary, and at what point do I lose myself? The exploration of the history of antisemitism and the lives of German Jewish women, begun by Eleganz aus Reflex, is continued with the work I Am Not a Case. At the…

I Am Not a CaseThe Lives of Anna O., Bertha Pappenheim, and P. Berthold How much adaptation to society is necessary, and at what point do I lose myself? The exploration of the history of antisemitism and the lives of German Jewish women, begun by Eleganz aus Reflex, is continued with the work I Am Not a Case. At the…

I Am Not a CaseThe Lives of Anna O., Bertha Pappenheim, and P. Berthold How much adaptation to society is necessary, and at what point do I lose myself? The exploration of the history of antisemitism and the lives of German Jewish women, begun by Eleganz aus Reflex, is continued with the work I Am Not a Case. At the…

I Am Not a CaseThe Lives of Anna O., Bertha Pappenheim, and P. Berthold How much adaptation to society is necessary, and at what point do I lose myself? The exploration of the history of antisemitism and the lives of German Jewish women, begun by Eleganz aus Reflex, is continued with the work I Am Not a Case. At the…

JESUS D’AMOUR, GEB.OThe Christmas Story according to Matthew, Mark, Luke, and John The Theater Willy Praml has created its very own nativity play. Based on the four Gospels, director Willy Praml retells the well-known story in a new way. The birth of two boys, Jesus and John, leads to political chaos, and the state threatens to collapse. King Herod learns…

JESUS D’AMOUR, GEB.OThe Christmas Story according to Matthew, Mark, Luke, and John The Theater Willy Praml has created its very own nativity play. Based on the four Gospels, director Willy Praml retells the well-known story in a new way. The birth of two boys, Jesus and John, leads to political chaos, and the state threatens to collapse. King Herod learns…