Beweis dessen, dass auch unzulängliche, ja kindische Mittel zur Rettung dienen können
Termine
The times are serious: border controls on one side, boundless technology on the other. Just keep dancing? In a very personal work, Camila Fiumara and Simon Möllendorf develop a choreography that asks whether imperfection, or childlikeness, can be a force for salvation.
Amid the fog of the present, there is a small space—a place to let loose and expand the boundaries of the world. Here, Camila Fiumara begins: somersault, cartwheel, stumble. Dot, dot, line. From this, a choreography emerges between stillness, tipping points, and departure.
Another odyssey resonates, the sirens awaken. The body sketches (dream)spaces, searches for footing, and lets imperfection appear as a quiet hope in the present.
Supported by
Cultural Office Frankfurt am Main, Hessian Ministry of Science and Research, Arts and Culture